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FACEBOOK TIMELINE HALLWAY - SPRING 2012
The timeline hallway is an interactive multi-display exhibit in which conference attendees can swipe their badge on an RFID reader and load their most popular photos, status updates, likes, and friends from their Facebook profile and enjoy an experience of their Facebook history.
The timeline hallway is an interactive multi-display exhibit in which conference attendees can swipe their badge on an RFID reader and load their most popular photos, status updates, likes, and friends from their Facebook profile and enjoy an experience of their Facebook history.
F8 ATTENDEE MAP - FALL 2011
An animated map of the home locations of all the attendees of the 2011 Facebook Developers Conference, organized by user ID, age, and gender.
An animated map of the home locations of all the attendees of the 2011 Facebook Developers Conference, organized by user ID, age, and gender.
UTAH MUSEUM OF NATURAL HISTORY - SUMMER 2011
A generative ambient visualization of weather and seismic activity throughout the state of Utah, prepared to overlay on top of video loops to be played in the lobby of the new Utah Natural History Museum.
A generative ambient visualization of weather and seismic activity throughout the state of Utah, prepared to overlay on top of video loops to be played in the lobby of the new Utah Natural History Museum.
BACKTALK - SUMMER 2011
What if our devices kept talking back to us after we have disposed of them? 40 netbook computers were donated to volunteers to have their users and environments monitored via the web cam.
What if our devices kept talking back to us after we have disposed of them? 40 netbook computers were donated to volunteers to have their users and environments monitored via the web cam.
LIVE SINGAPORE: REAL TIME TALK - SPRING 2011
Singapore's mobile phone penetration is above 140%, many own more than one device. How do we make use of the island's cellphone network via voice calls and text messages? How can this inform us about the usage of urban space in real-time?
Singapore's mobile phone penetration is above 140%, many own more than one device. How do we make use of the island's cellphone network via voice calls and text messages? How can this inform us about the usage of urban space in real-time?
LIVE SINGAPORE: FORMULA ONE CITY - SPRING 2011
Large scale events disrupt a cities' daily routines. What better opportunity to explore this effect than Singapore's Formula One Grand Prix? How does this event impact daily life? How do citizens respond to it? How does the populous share their excitement via text messaging?
Large scale events disrupt a cities' daily routines. What better opportunity to explore this effect than Singapore's Formula One Grand Prix? How does this event impact daily life? How do citizens respond to it? How does the populous share their excitement via text messaging?
LIVE SINGAPORE: RAINING TAXIS - SPRING 2011
Singapore's mobility is heavily reliant on taxis, but what happens when it rains? This visualization explores how Singapore's transportation system behaves by combining taxi and rainfall data, and investigating how in the future the system can be streamlined in order to better match taxi supply and demand.
Singapore's mobility is heavily reliant on taxis, but what happens when it rains? This visualization explores how Singapore's transportation system behaves by combining taxi and rainfall data, and investigating how in the future the system can be streamlined in order to better match taxi supply and demand.
LIVE SINGAPORE: HUB OF THE WORLD - SPRING 2011
Singapore is the world's largest trans-shipment container port and one of the busiest airport hubs in the world. How is the country affected by this constant stream of people and goods passing through? Where do these flows come from and go to, and how much of it stays in Singapore.
Singapore is the world's largest trans-shipment container port and one of the busiest airport hubs in the world. How is the country affected by this constant stream of people and goods passing through? Where do these flows come from and go to, and how much of it stays in Singapore.
LIGHTSPAN - SUMMER 2010
An interactive lighting installation by Electroland on a pedestrian bridge at the University of Tennessee, Memphis Law School campus. The bridge reacts to the movement of people walking across it.
An interactive lighting installation by Electroland on a pedestrian bridge at the University of Tennessee, Memphis Law School campus. The bridge reacts to the movement of people walking across it.
JPL LOBBY DISPLAY - SUMMER 2010
A generative software installation designed for the recomposition of renderings produced by the Projects and Formulations group at the Jet Propulsion Laboratory to be displayed in their lobby.
A generative software installation designed for the recomposition of renderings produced by the Projects and Formulations group at the Jet Propulsion Laboratory to be displayed in their lobby.
FIL AUTHOR CLOUD - FALL 2009
An 80' wide projection wall designed for the Guadalajara University International Literary Festival features the names of prolific Los Angeles authors. A large LCD touch screen allows users to move the cloud of author names and reveal quotes and bio information.
An 80' wide projection wall designed for the Guadalajara University International Literary Festival features the names of prolific Los Angeles authors. A large LCD touch screen allows users to move the cloud of author names and reveal quotes and bio information.
CANCER SCREENING KIOSK - SUMMER 2009
Interactive kiosk software developed specifically for the presentation of medical information in multiple languages. The software is used to present cancer awareness information and encourage screening in underpriveleged communities.
Interactive kiosk software developed specifically for the presentation of medical information in multiple languages. The software is used to present cancer awareness information and encourage screening in underpriveleged communities.
PULSE - SPRING 2009
An electric wave of blue light that follows cars as they drive past the Los Angeles Fashion Center. A camera tracks the movement of vehicles and people along the street and mirrors their activity with bright blue light along the face of the five story building.
An electric wave of blue light that follows cars as they drive past the Los Angeles Fashion Center. A camera tracks the movement of vehicles and people along the street and mirrors their activity with bright blue light along the face of the five story building.
ENTERACTIVE - SPRING 2009
A carpet of bright red LED tiles at the entrance of the MetLofts apartment complex react when people walk over them. The animations triggered by peoples movement is reflected on the five story facade of the building overlooking the LA Live area of Downtown Los Angeles.
A carpet of bright red LED tiles at the entrance of the MetLofts apartment complex react when people walk over them. The animations triggered by peoples movement is reflected on the five story facade of the building overlooking the LA Live area of Downtown Los Angeles.
SPRUNG - WINTER 2008
A jungle of large hanging electric flowers light up the entrance to the Los Angeles Fashion Mart. The flowers react when people pass in front of them, displaying a colorful animation with a soundtrack. Every 15 minutes a large animation occurs on all flowers, and every hour the Westminster Quarters chime.
A jungle of large hanging electric flowers light up the entrance to the Los Angeles Fashion Mart. The flowers react when people pass in front of them, displaying a colorful animation with a soundtrack. Every 15 minutes a large animation occurs on all flowers, and every hour the Westminster Quarters chime.
CONNECTION - FALL 2008
An interactive lighting and sound installation in the Indianapolis Airport. Stereoscopic cameras track the movement of people in the space, and the grid of lights overhead reacts to them, with an occasional big show illuminating the entire space accompanied by music.
An interactive lighting and sound installation in the Indianapolis Airport. Stereoscopic cameras track the movement of people in the space, and the grid of lights overhead reacts to them, with an occasional big show illuminating the entire space accompanied by music.
MARS CLIMATE SOUNDER VISUAL INTERFACE - SUMMER 2008
A visual interface to compare and contrast martian climate data collected by the Mars Climate Sounder. Surface readings from the sensor can be compared to readings from similar sensors on previous orbital satellites in order to analyze trends and gauge accuracy.
A visual interface to compare and contrast martian climate data collected by the Mars Climate Sounder. Surface readings from the sensor can be compared to readings from similar sensors on previous orbital satellites in order to analyze trends and gauge accuracy.
MARS CLIMATE SOUNDER ORBITAL INTERFACE - SUMMER 2008
A visual interface of sensor level orbital data from the Mars Climate Sounder. Results from the sensor are plotted along the path of the Mars Reconnaissance Orbiter with color indicating the value of the reading.
A visual interface of sensor level orbital data from the Mars Climate Sounder. Results from the sensor are plotted along the path of the Mars Reconnaissance Orbiter with color indicating the value of the reading.
ILLUSTRATING POWER STRUCTURES - SUMMER 2008
The written component of my MFA Thesis, outlining the background and concept behind the Power Structures project. It details the philosophical background behind the software's functionality as well as the artistic and technical inspirations for its development.
The written component of my MFA Thesis, outlining the background and concept behind the Power Structures project. It details the philosophical background behind the software's functionality as well as the artistic and technical inspirations for its development.
POWER STRUCTURES - SPRING 2008
An online system for illustrating the networks of power brokers that influence our daily lives. Connections are made between people, places, organizations, and events using testimony from various sources in order to create a more intricate and revealing map.
An online system for illustrating the networks of power brokers that influence our daily lives. Connections are made between people, places, organizations, and events using testimony from various sources in order to create a more intricate and revealing map.
IPICONS - SPRING 2007
Each visitor to the project has their IP address turned into an 8x8 pixel icon. The color is derived from the first three octals of the address, and the pattern is a binary interpretation of the last octal. The icons are then organized spatially by their meta data to reveal further possible trends.
Each visitor to the project has their IP address turned into an 8x8 pixel icon. The color is derived from the first three octals of the address, and the pattern is a binary interpretation of the last octal. The icons are then organized spatially by their meta data to reveal further possible trends.
WIKIPEDIA BY THE MINUTE - SPRING 2007
A visual transposition of the english wikipedia's recent article changes. Each minute of activity is plotted as a line, with additions to articles tinted green and reductions tinted red based on the amount added/subtracted. New articles are indicated with white, and placed based on their initial size.
A visual transposition of the english wikipedia's recent article changes. Each minute of activity is plotted as a line, with additions to articles tinted green and reductions tinted red based on the amount added/subtracted. New articles are indicated with white, and placed based on their initial size.
GENERATIVE ART AS A RESPONSE TO AUTO-DESTRUCTIVE ART AND A RESULT OF TECHNOLOGICAL DETERMINISM - FALL 2006
A response to an article on the aesthetics of auto-destructive art, applying their inverse qualities towards generative art for an analysis of the genre. The work of Casey Reas is used as an example to be assessed by these inverted aesthetic principles.
A response to an article on the aesthetics of auto-destructive art, applying their inverse qualities towards generative art for an analysis of the genre. The work of Casey Reas is used as an example to be assessed by these inverted aesthetic principles.
WIKIMAP - FALL 2006
A live mapping of the linking structure of wikipedia articles. Mapping starts with a user search for a particular article, and all of the articles it links to are then revealed around it. The user can continue hopping between articles by clicking the individual nodes.
A live mapping of the linking structure of wikipedia articles. Mapping starts with a user search for a particular article, and all of the articles it links to are then revealed around it. The user can continue hopping between articles by clicking the individual nodes.
ON TRANSLATION: SOCIAL NETWORKS - SUMMER 2006
A visualization of keywords originally derived from military terminology now used across a variety of sectors. Web sites are analyzed for their corporate, military, technological, and cultural values, and then collectively used to create a weighted rank for terms found on their sites.
A visualization of keywords originally derived from military terminology now used across a variety of sectors. Web sites are analyzed for their corporate, military, technological, and cultural values, and then collectively used to create a weighted rank for terms found on their sites.
RESEARCH CHRONOLOGY REVISITED - SUMMER 2006
An improved visual interface to social bookmarking activity. Anyone using del.icio.us can login with their username and password and visualize their bookmarking activity. This version includes improved analytical aesthetics as well as better sorting features for tags.
An improved visual interface to social bookmarking activity. Anyone using del.icio.us can login with their username and password and visualize their bookmarking activity. This version includes improved analytical aesthetics as well as better sorting features for tags.
WIGGLE - SUMMER 2006
Playing with sin waves and sorting by hue to create dynamically generated paintings which, while ultimately staying the same, continue to animate over time. An experiment in adding texture and movement to a conventional analogous gradient.
Playing with sin waves and sorting by hue to create dynamically generated paintings which, while ultimately staying the same, continue to animate over time. An experiment in adding texture and movement to a conventional analogous gradient.
3D FLASH - SUMMER 2006
Experiments in the third dimension and depth of focus using Macromedia Flash AS1. Originally based on the Kirupa 3D tutorial, I made some modifications using the Flash 8 bitmap filters to add some depth of field effect and apply some radial spin to a test menu.
Experiments in the third dimension and depth of focus using Macromedia Flash AS1. Originally based on the Kirupa 3D tutorial, I made some modifications using the Flash 8 bitmap filters to add some depth of field effect and apply some radial spin to a test menu.
BODY DAEMON CLIENT - SPRING 2006
A visual client for the Body Daemon server built off of the Gravitons & Graviolies sketch. The server, connected to a human being, outputs heart rate, respiration, galvanic skin response, and muscle tension over UDP packets to network clients which interpret the data.
A visual client for the Body Daemon server built off of the Gravitons & Graviolies sketch. The server, connected to a human being, outputs heart rate, respiration, galvanic skin response, and muscle tension over UDP packets to network clients which interpret the data.
THE ART AND SCIENCE OF COMPUTATIONAL INFORMATION DESIGN - SPRING 2006
A philisophical investigation into the transvergent properties of computational information design. Formatted from the hypothetical perspectives of four great minds with eight questions each related to the artistic and scientific qualities of the newly formed discipline of computational information design.
A philisophical investigation into the transvergent properties of computational information design. Formatted from the hypothetical perspectives of four great minds with eight questions each related to the artistic and scientific qualities of the newly formed discipline of computational information design.
GRAVITONS AND GRAVIOLIES - SPRING 2006
A visual experiment in creating a cool spherical particle system without needing to simulate the physics required for an orbital system. Using the sin function and some push/pop/rotate functions as well as adjusting the tail length and color creates a mixed system of different particles.
A visual experiment in creating a cool spherical particle system without needing to simulate the physics required for an orbital system. Using the sin function and some push/pop/rotate functions as well as adjusting the tail length and color creates a mixed system of different particles.
VISUAL RHIZOME - SPRING 2006
A visual interface to the Rhizome.org Art Base. Projects are connected based on keywords, terms, and genres assigned by their respective artists. Combining several of these tags connects multiple colored lines indicating the projects with shared tags.
A visual interface to the Rhizome.org Art Base. Projects are connected based on keywords, terms, and genres assigned by their respective artists. Combining several of these tags connects multiple colored lines indicating the projects with shared tags.
FLASH BLUR TEST - SPRING 2006
A simple test of the blurring bitmap filter in Flash 8. I later implement this same filter in the Flash 3D sketches to simulate a depth of field effect. It was unavoidable to add an old joke.
A simple test of the blurring bitmap filter in Flash 8. I later implement this same filter in the Flash 3D sketches to simulate a depth of field effect. It was unavoidable to add an old joke.
GOOGLEVIZ - FALL 2005
Investigating the flow of page rank between the top ten search results. My hypothesis was that the top ten search results for a given query would create a long tail distribution in page rank among the rest of the results due to them linking between each other.
Investigating the flow of page rank between the top ten search results. My hypothesis was that the top ten search results for a given query would create a long tail distribution in page rank among the rest of the results due to them linking between each other.
ETHICAL IMPLICATIONS OF TELEDILDONIC ADOPTION - FALL 2005
Teledildonics has been a long discussed but only recently developed upon subject of technology, involving both engineering, sociology, and human sexuality. What questions can be posed about the common place adoption of teledildonic devices within society?
Teledildonics has been a long discussed but only recently developed upon subject of technology, involving both engineering, sociology, and human sexuality. What questions can be posed about the common place adoption of teledildonic devices within society?
PACIFIC RIM VISUAL DIRECTORY - FALL 2005
Visually mapping artists across the pacific based on shared characteristics. Artists were asked to contribute information to create comparisons, display relationships, and inspire potential collaborations. Connections are made using tags by interest, organization, and prior collaboration.
Visually mapping artists across the pacific based on shared characteristics. Artists were asked to contribute information to create comparisons, display relationships, and inspire potential collaborations. Connections are made using tags by interest, organization, and prior collaboration.
FORCE-DIRECTED POSITIONING EXPERIMENT - FALL 2005
My first technical exercise attempt at creating some force directed placement action for future visualization needs. Slight adjustments to the algorithm can result in drastic changes, creating recursive effects in the system causing constant motion.
My first technical exercise attempt at creating some force directed placement action for future visualization needs. Slight adjustments to the algorithm can result in drastic changes, creating recursive effects in the system causing constant motion.
CLASS CHRONOLOGY - SUMMER 2005
A visual history of my undergraduate academic career. Classes are plotted by semester and by class, with the box color indicating the grade received in the class. Boxes are sorted by class, time, or grade, and clicking individual boxes reveals further details about that class.
A visual history of my undergraduate academic career. Classes are plotted by semester and by class, with the box color indicating the grade received in the class. Boxes are sorted by class, time, or grade, and clicking individual boxes reveals further details about that class.
TACTILE CONTROL OF VIRTUAL ELEMENTS - SPRING 2005
A technical experiment in creating an untangible multi-touch interface by combining both shadow tracking and capacitance sensing. The goal was to simulate a tactile connection with software elements by relying on dragging gestures.
A technical experiment in creating an untangible multi-touch interface by combining both shadow tracking and capacitance sensing. The goal was to simulate a tactile connection with software elements by relying on dragging gestures.
TRANSVERGENT PROJECT RELATIONSHIP MODEL - SPRING 2005
An experiment in mapping skills and disciplines contributing to a variety of creative projects. Artists were asked to contribute their projects for comparison, using their tags and relative weighted percentages to create a spatial arrangement.
An experiment in mapping skills and disciplines contributing to a variety of creative projects. Artists were asked to contribute their projects for comparison, using their tags and relative weighted percentages to create a spatial arrangement.
SYNAESTHESIA - SPRING 2005
A group project blending visual, audible, and tactile senses using computer software, physical sensors, lights, microphones, speakers, infrared camera, and projection. Audio input is sent to tangible and visual output, tangible input is sent to audio and visual output, and visual input is sent to audio and tangible output.
A group project blending visual, audible, and tactile senses using computer software, physical sensors, lights, microphones, speakers, infrared camera, and projection. Audio input is sent to tangible and visual output, tangible input is sent to audio and visual output, and visual input is sent to audio and tangible output.
RESEARCH CHRONOLOGY - SPRING 2005
A visual interface to social bookmarking activity, allowing me to evaluate my research habits and the overall trends of my web browsing interest. Timing of research activity also reveals sleeping habits and academic deadlines.
A visual interface to social bookmarking activity, allowing me to evaluate my research habits and the overall trends of my web browsing interest. Timing of research activity also reveals sleeping habits and academic deadlines.
LATENCY TOPOGRAPHY - FALL 2004
A data visualization of network traffic based on packet latency made specifically for the Carnivore project. The longer it takes data to travel to the server, the farther the node is positioned from the center. Network traffic is animated between nodes and a system beep occurs at the frequency of the destination port of the packet.
A data visualization of network traffic based on packet latency made specifically for the Carnivore project. The longer it takes data to travel to the server, the farther the node is positioned from the center. Network traffic is animated between nodes and a system beep occurs at the frequency of the destination port of the packet.
DEBATE DEBAUCHERY - FALL 2004
A data visualization of the third debate of the 2004 presidential election. Transcripts of candidates were analyzed for word length and reiteration over time. Data is then spatially mapped in a 3D scatter plot, allowing the viewer to rotate the model and analyze trends in word usage.
A data visualization of the third debate of the 2004 presidential election. Transcripts of candidates were analyzed for word length and reiteration over time. Data is then spatially mapped in a 3D scatter plot, allowing the viewer to rotate the model and analyze trends in word usage.
TWO DIMENSIONAL AUDIO MIXER - SPRING 2004
A simple technical exercise in creating a musical interface which would allow the spatial mixing of a composition. Instruments are spatially positioned around the microphone to adjust volume, and the microphone can be moved to dynamically change the mix.
A simple technical exercise in creating a musical interface which would allow the spatial mixing of a composition. Instruments are spatially positioned around the microphone to adjust volume, and the microphone can be moved to dynamically change the mix.
FACEBOOK -
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so subscribe to the feed for in depth details on my current work.
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so subscribe to the feed for in depth details on my current work.
GOOGLE+ -
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so subscribe to the feed for in depth details on my current work.
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so subscribe to the feed for in depth details on my current work.
TWITTER -
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so follow me for in depth details on my current work.
Rapid updates on datadreamer projects, activities, and works in progress. This has completely replaced my blog, so follow me for in depth details on my current work.
